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Lorella Di Cintio, PhD

Toronto Metropolitan University, School of Interior Design at The Creative School

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Tag: wood

Posted on June 19, 2013December 8, 2021

Bare Minimum

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Bare Minimum (Emma Hannaford, Mckayla Durant, Lindsay Hill, Katrina Clany and Samantha Mirabile) is a food cart that is made of reclaimed wood from already fallen trees in the forest, wood and metal from a barn destroyed by a hurricane and other locally collected materials.

It reflects the basic fundamentals that The Stop encourages. It is the concept of using what is available to its best potential. Using already reclaimed and recycled materials the cart is a reflection of environmentally friendly design and sustainable practices.

With portion of the wood donated from Ryerson University of Interior Design’s Year End Show entitled ‘Raw’, the overall aesthetic maintains a consistent message of unique individuality and overall harmony.

Bare Minimum
Reclaimed. Recycled. Reused. Remade
Can be seen with Samuel J Moore & Hawthorne Food & Drink + Mark Cutrara at tonight’s  The Stop Night Market 2013

Posted on June 19, 2013December 8, 2021

Carmen + Torito by 3runettes

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See design and food pairings by 3runettes (Olga Haliuk &Harry Dieu) with food partners Carmen & Torito at tonight’s The Stop Night Market.

Posted on June 18, 2013December 8, 2021

The One Stop Shop

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The One Stop Shop by Nisha Sewell is a planter that reflects the core values that The Stop Community Food Center believes in – providing people with fresh food in a sustainable way. This piece allows you to grow food in your home. Herbs are an integral part of the cooking process and having these fresh organic crops available changes the experience of cooking and how one relates to their senses and experiences.

Posted on June 17, 2013December 8, 2021

Objet de Cuisine

Second year interior design student, Angela Cho, has designed a tea whisk that emphasizes the beauty of tea ceremonies. This western interpretation simplifies and modernizes the intricate lines of its original form. Designed to feel like an extension of the hand, the geometric shapes and sharp corners, offering a juxtaposition to the curvilinear form of a traditional tea whisk. Aside from this function of mixing matcha powder, this piece is meant to develop curiosity and spark a conversation.

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Janet Lam, has designed ‘Commune’ is a series of spoons that investigates the relationship between food and eating in a social context. The utensils are a form of communication which conveys the identity of the user. The three pieces are developed from different levels of speech bubbles which are noted through conversation and dialogue. In a social group setting, ‘Commune’ mitigates a discourse of taste, bringing attention to the expression of the individual through the choice of food and your speech.

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‘Pearl’ by Jing Yang, is a spoon that reflects seven concepts: scrape, iceberg, slope, limited, gather and coche. Scrape is a reflection of a shovel-like shape that takes into consideration the need for consuming the last few morsels of food. Iceberg is taking the leafy quality of the vegetable into a aesthetically pleasing shape. Slope, symbolizes the incline of poverty that people have to deal with. Limited, is based on the restricted food supply that disenfranchised people have to deal with. Gather captures the act of cupping treasure, unwilling to let food go. And coche looks at the Greek word for spoon and the materials that were used.

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